Qin, Yi, Dong Zhou, and Yu Wang. 2012. “Drama CD – Another Form of Animation.” In A Long and Difficult Way to Go, Investigation and Pondering of the Literati Animation, edited by Chao Liang, 301-306. Hangzhou: China Academy of Arts Press.
Zhou, Dong. 2015. Soundscape Composition and Perception: Hildegard Westerkamp’s Works as Examples. Bachelor’s thesis, Shanghai Conservatory of Music.
Presented at the International Computer Music Conference (ICMC), Shanghai, China, 2017.
Zhou, Dong. 2016. “Interactive Environmental Sound Installation for Music Therapy.” Presented and published in Proceedings of the Workshop on Computer Music and Audio Technologies (WOCMAT), Taoyuan, Taiwan.
Qin, Yi, Dong Zhou, and Ruolun Weng. 2016. “City Maze: The Embodiment of ‘Virtual-Reality’ Sound Space.” Presented at the Conference on Sound and Music Technology (CSMT), Nanjing, China.
Zhou, Dong. 2017. “Gender Issues in China’s Audio Industry: What Stops Us from Working There?” Presented at Active Inclusive Sound Space (AISS), Huddersfield, England.
Zhou, Dong. 2018. New Narrativity Achieved by Multi-space Presentation in Multimedia Music Pieces. Master’s thesis, Hamburg University of Drama and Music (HfMT).
Zhou, Dong. 2018. “Hatsune Miku for Academics and for Its Fans: More Than a Virtual Studio.” Links-Series 3–4: 53–54. [Online access: https://links-series.com/wp-content/uploads/2019/11/LINKs3-4.pdf].
Zhou, Dong. 2022. “Hear the Unwanted Sounds: Observation and Analysis of Urban Soundscape in Shanghai and Hamburg Before and After the Covid-19 Pandemic.” Presented at the Workshop on Computer Music and Audio Technology (WOCMAT), Taipei, Taiwan.
Zhou, Dong. 2023. “Resonating with a Ship/ In Resonanz mit einem Schiff.” In Eigensinnige Orte: Stubborn Places, edited by Stefanie Bürkle, Alex Gross, and Katrin Wegemann, 106–111. Dortmund: Verlag Kettler.
Dong Zhou 